メーレルカ の 墓 は すばらしい もの ですね。
.JPG)
メーレルカ さん は おかさん゛チィティ さん と おくさん ゛ヘルワテトゲト゛ の あいだ に たっていました。 .JPG)
古代 イジプト の さんぎょう、 ゛金工゛きんこう と グラスせい の 物 が ある。 .JPG)
こだい イジプト の ぎょぎょう、ぎょせん と ぎょもうも ありました。こだい イジプト ぎょみん は にしん も しました。
メーレルカ の 墓 は すばらしい もの ですね。
メーレルカ の 墓、サッカラ に いち 番 有名 な 墓 です。メーレルカ の 墓 は ２４００ 紀元前 年 前 でしたね。メーレルカ は ティティ 王 様 の 大臣、むこ さん も でした。メーレルカ は 全体 に 書きやく や 神官 も でした。その 墓 は サッカラ の いち 番 大きい もの だ、へや が３１いつ ある。メーレルカ の 墓、何時も、マスタバ とよう です。メーレルカ マスタバ の 中 に いろいろ な 場面 と リリフ の きが が あります。Copyrig ©Musegypt
Pre-Historic Palette-Naqada III culture. "Special articles"
Pre-Historic Palette-Naqada III culture. "Special articles"
It can be a unique experience for those who are fortunate for being familiar with Egypt Pre-Historic cultures" 6000-3000 B.C", and once they become able to observe it a lot more detailed. The collections of Pre-Historic cultures that are kept in the Egyptian Museum, the British Museum, the Louvre Museum and the others which include very informative and descriptive palettes and tablets refer much to that deeply antique époque. A lot of these tablets were commemoratives and created in record of a victory after a civil war or after a war with other nations such as the commemorative mace cover that describes the unification trial of the Scorpion king "4000 B.C" or the Libyan tablet which depicts an Egyptian defeat to the Tehno Libyan tribes. The pre-historic slate tablet represents the unstable status of Egypt during Naqada III "4000 B.C" and a civil war that was between Naqada culture or Upper-Egypt and northerners of Lower-Egypt. The upper part of the tablet represents captives are bound in poles with stylized arms that grasp each of the captives and in a shape of a war adze. Also we observe carrion-birds that stand still on each pole which emphasize a traditional technique of torture or punishment and that what could have inspired the ancients with the first crucifixion. Also we see the circle that is often found on pre historic tablets and next to that a carving of a high ranking captive is led by elegantly dressed man with a sophisticate rope that has fringes and ornaments. We can observe the high quality of the outfit and the quality of the metal or the stone in each of the war adzes. Generally, carvings represent a busy battle field with corpses of dead soldiers all are bearded with northern appearance similarly to those who were represented in Narmers palette "3200 B.C" and with many carrion-birds around such as vultures and crows. Also a carving of a lion that fierce eats a corpse.
Copyrig ©Musegypt .
Posted by Yasser kamel
It can be a unique experience for those who are fortunate for being familiar with Egypt Pre-Historic cultures" 6000-3000 B.C", and once they become able to observe it a lot more detailed. The collections of Pre-Historic cultures that are kept in the Egyptian Museum, the British Museum, the Louvre Museum and the others which include very informative and descriptive palettes and tablets refer much to that deeply antique époque. A lot of these tablets were commemoratives and created in record of a victory after a civil war or after a war with other nations such as the commemorative mace cover that describes the unification trial of the Scorpion king "4000 B.C" or the Libyan tablet which depicts an Egyptian defeat to the Tehno Libyan tribes. The pre-historic slate tablet represents the unstable status of Egypt during Naqada III "4000 B.C" and a civil war that was between Naqada culture or Upper-Egypt and northerners of Lower-Egypt. The upper part of the tablet represents captives are bound in poles with stylized arms that grasp each of the captives and in a shape of a war adze. Also we observe carrion-birds that stand still on each pole which emphasize a traditional technique of torture or punishment and that what could have inspired the ancients with the first crucifixion. Also we see the circle that is often found on pre historic tablets and next to that a carving of a high ranking captive is led by elegantly dressed man with a sophisticate rope that has fringes and ornaments. We can observe the high quality of the outfit and the quality of the metal or the stone in each of the war adzes. Generally, carvings represent a busy battle field with corpses of dead soldiers all are bearded with northern appearance similarly to those who were represented in Narmers palette "3200 B.C" and with many carrion-birds around such as vultures and crows. Also a carving of a lion that fierce eats a corpse.
Copyrig ©Musegypt .
Posted by Yasser kamel
古代 イジプト、 先王国 時代、３５００ 紀元前 木製 かま。
カイロ 博物館 に いち 番 古く かま と くわ が あります。
古代 イジプト の 先王国 時代 で のうえん が わかられた。古代 イジプト のうみん は いろいろ な かま と くわ を 造りました。かま と くわ 何時も 木製物 でした。
Wednesday, June 03, 2009
みおも な ハイエナ の話
みおも な ハイエナ の話
古代 イジプト の 歴史 に いろいろ な 動物 の 話 が あります。みおも な ハイエナ の 話 は 本当 に おこりました。古代 イジプト の 古王国 の 時代、２４００ 年 紀元前 前 に 有名 な 動物 の 物がたり、たとえば、メーレルカ の 墓 です。メーレルカ の 墓 は ２３００ 年 紀元前 ぐらい、 その 墓 に 名場面 が あって、その リリーフ で ハイエナ の しゅっさん が みせいる。ばめん も ハイエエナ は じゅうい さん は かんかい を 上げます。じゅうい さん も ハイエナ に いろいろ な 食べ物 を 上げました。ハイエナ は 象形文字 で ヘセト でした。Copyrig ©Musegypt By yasser kamel
